Hola! Aloha! Szia!
Hi! I’m Devo! I’m a Penn Presidential Ph.D. Fellow, a Fontaine Fellow, and a Joint Doctoral Candidate in the Annenberg School for Communication and the Department of Sociology at the University of Pennsylvania. I presently hold three doctoral fellowship positions at Penn, the first within the Center on Digital Culture and Society (CDCS), where I lead and facilitate the Digital Activism & Data Justice (DADJ) research group, the second in the Center for Advanced Research in Global Communication (CARCG), and the third in the Center for Media at Risk (M@R). In addition to my doctoral fellowship positions at Annenberg, I also serve as the Vice President of the Fontaine Society at the University of Pennsylvania - a university-wide community for PhD students from underrepresented backgrounds, including those who are first-generation college graduates, from low-income families, and from groups historically excluded in higher education.
A digital native and professional internet “lurker,” my research sits at the intersection of social movement studies and digital activism, economic sociology, digital culture, and performance theory. Broadly, using digital ethnographic methods, my work examines forms of digital activism in contention with global financial markets and financial journalism to make sense of the political, cultural, and social consequences that the digitization of financial markets has had on our society. In studying these forms of financial activism, my work also reconsiders the mobilization logics undergirding the rise of social movements online while also reconsidering how we conceptualize the successes and failures of social movements in the digital age.
I began my doctoral studies intellectually consumed with how groups shape their collective identities online in order to understand why social movement participation has swelled in recent years, and this interest still remains central to my research endeavors. In examining the processual and temporal aspects of digital activism, my work also contends with the notion that collective identity formation is no longer important to the emergence and sustainment of social movements today. Rather, I argue it plays an increasingly important role, especially in a digital era where social movements appear more diffuse.
Prior to returning to academia, I spent my early career in the public service, which played a formative role in shaping my research agenda. Keenly aware of the academic-practitioner divide, I believe that academic research must be accessible and relevant to practitioners and activists since they are often best positioned to make strides in achieving the societal change we are in desperate need of. In a small effort to bridge this gap, I am fortunate enough to hold an appointment as an Associate within the School of Professional Studies at Columbia University, where I have had the opportunity to support the teaching of Visual Communication, Communication Research and Insights, and Political Communication to graduate students in the M.S. in Strategic Communication program.
I earned both an M.A. in Communication and an M.A. in Sociology from the University of Pennsylvania in 2024 and an M.S. in Strategic Communication from Columbia University in 2020. Before attending graduate school, I obtained my B.A. in History and Religious Studies from Arizona State University in 2016. Upon graduating, I received the highest honor awarded by the university: the Dean’s Medal Award for the School of Historical, Philosophical, and Religious Studies.
Research Interests
Digital Cultures
According to Deuze (2005), a digital culture is “an emerging value-system and set of expectations as particularly expressed in the activities of news and information media makers and users online.” Digital cultures emerge and are enacted through the expression of individualization, post-nationalism, and globalization.
Collective Identity
Polletta and Jasper (2001) state that collective identity is “an individual’s cognitive, moral, and emotional connection with a broader community, category, practice, or institution. It is a perception of a shared status or relation, which may be imagined rather than experienced directly, and it is distinct from personal identities, although it may form part of a personal identity.”
Performance as Endurance
Shalson (2018) describes endurance as a form and claims: “it involves a plan and a following through of that plan... (except that) the plan, like all plans, can never guarantee its outcome in advance.” She further elaborates, suggesting that “Endurance is built on a plan, then, but this plan does not fully dictate what the work becomes. The artist designs and then endures an unfolding of events that can never be fixed from the start. This indeterminacy arises from another essential element of endurance: namely, that it is always performed in relation to forces that are beyond the performer’s control.”
“What have you done for mankind today?”
-Ben Ferencz
Inspired by activists such as James Baldwin and Grace Lee Boggs, I believe in deliberation as a radical form of protest. Using the spoken and written word as a type of everyday activism, I believe we can methodically shift our culture through the aggregation of our individual actions. By having difficult conversations in search of a higher truth, we as individuals have the collective power to make necessary changes desperately needed in our society. That said, either big or small, “what have you done for mankind today?”
"Baldwin Blooms," acrylic on canvas. Painting by Charly Palmer (photograph by Calhoun/McCormick)